Craft tailored content based on precise insights, increase response rates by delivering resonant content and optimize your budget by targeting the most relevant recipients. Explore the strategic advantages our web scraping solutions bring to your business. Please select 1 or more search criteria below by which you wish to search. If you want to search by products, select a product group.
Stucadoorsbedrijf Zwolle per hour for regular jobs. For urgent jobs, the rate can go up to around €83 per hour, depending on the urgency of the job. If the job is scheduled for the weekend, an additional surcharge may apply. The total cost depends on the size of the area, type of plastering, and job complexity. Despite the centrality and continuous use of molds in Delft ceramic production, not a single complete example—or even a fragment—has survived. Some were designed for one-time use; others, particularly those made from plaster, simply eroded over time.
Zoofy only works with plasterers who have been carefully screened for experience and reliability. Professionals on our platform must meet strict quality standards, and only those who consistently receive high ratings remain active, ensuring you work with a reliable and professional plasterer. Due to the limited availability of physical models, vormers likely drew inspiration from engravings or exercised considerable creative freedom.
Contact Us Stukadoor Zwolle Email: [email protected] Phone: +31383690308 Grote Voort 293A Zwolle, Overijssel, NL 8041 BL
This artistic autonomy places their work on par with that of Delft’s renowned painters. Efficient access to a wide array of business information. Download the data of the number of star-rated Stucco contractors in Overijssel as of October 15, 2025. You can download Stucco contractors email and phone number lists. Here is a random sample of 10 records for you to look at. The good ones use real encryption, audited no-logs policies, and fast protocols, plus solid leak protection and apps that don’t feel like a chore to use.
This rare piece could represent the earliest known bust produced in Delft, positioning De Grieksche A as a potential pioneer in the development of sculptural faience. For plastering jobs, a two-month statutory warranty applies. Additionally, for a small fee, you can opt for extra protection through the Zoofy Guarantee Package, providing extra security. This package can be easily selected during the final step of the booking process.
Dutch porcelain workshops typically could not support full-time employment for molders; it was common for them to create a set of reusable molds and then seek new engagements—mirroring practices in German porcelain production.(20) Some of these itinerant craftsmen may also have worked in Delft. Some ceramic forms appear to have been modeled after metal prototypes. The existence of a particularly refined bust of Queen Mary marked for Samuel van Eenhoorn, owner of De Grieksche A (The Greek A) factory from 1671 to 1686, suggests that this factory was already collaborating with a vormer before De Metaale Pot did (Fig. 5).
As research continues, there is hope that new findings will further illuminate the indispensable, yet often overlooked, contributions of these master craftsmen to the enduring legacy of Delftware. In the Netherlands, from the third quarter of the century onward, modeled ornamentation began to evolve more distinctly, reflecting a shift in artistic ambition and technique. Human, animal, and mythical figures became integral parts of ceramic design, serving as handles, bases, finials, and spouts, or as independant figurines. Finishing touches included smoothing seams (schrooien) with metal tools and affixing additional elements—such as handles, feet, or ornaments—using smaller molds or hand tools. These methods allowed for the production of detailed and complex objects. A plasterer can assist with various types of plastering, such as smooth finishes, decorative plaster, spachtelputz, and concrete-look finishes.
A notable group comprises four figurines marked “DH.” Though seemingly painted by the same hand, the incised “DH” mark—applied before painting on three pieces—points to a now-unknown vormer.(22) One figure, a bagpipe player (Fig. 9), is marked “IP” for Jan Pennis (De Twee Scheepjes, 1723–1763). A matching but less detailed version from the Aronson Antiquairs Collection (inv. no. D2449), attributed to Johannes van Duijn, owner of De Porceleyne Schotel from 1764 to 1772, lacks the “DH” mark, suggesting that the mold may have been loaned or sold rather than transferred by the vormer himself (Fig. 10). The presence of an inscribed signature highlights the artist’s importance within the production process. Later, when Adrianus Kocx, and subsequently his son Pieter, owned De Grieksche A, the production of figurines continued. Striking similarities can be observed between these works and those produced under Lambertus van Eenhoorn.(13) The earlier rivalry between the two factories had diminished, likely due to the familial ties between their owners.(14) It is conceivable that molds—or even molders—were shared between the workshops.